So what are Robert Pattinson and Kristen Stewart like? “As individuals, they’re down to earth,” Chaske said at the NYC premiere of The Bounty Hunter last night. “They’re good people.”

And first on his list of new movies to see is Kristen’s rock ‘n’ roll biopic. “I’m going to go check it out. I want to see The Runaways. I’m a big rock n roll fan.”

Why would Rob make a good boyfriend? “He’s very intelligent,” said Chaske, who plays Sam Uley, while he praised Kristen for being “down to earth”.

Although being coy about the details of the movie, he admitted they filmed “a campfire that was really cool,” adding, “You’ve gotta remember most… people didn’t know who we were, then all of a sudden here comes this movie, and it launches you to international fame.

“Everyone’s really gracious about it, and very down to earth. I’m very lucky. Very lucky.”

“Alice” is still queen of the box office.

The Tim Burton and Johnny Depp version of Alice in Wonderland is the #1 movie for the second straight weekend, rolling up $62 million in ticket sales. It’s become the first $200 million release of 2010.

Green Zone with Matt Damon finishes #2 with $14.5 million, and the mismatch romantic comedy She’s Out of My League rounds out the top three with $9.6 million.

The Robert Pattinson drama Remember Me is expected to take in about $8.3 million for fourth place.

Q:It’s been a really wide range of parts for you, lately. In “Remember Me,” you’re this tough New York businessman.
A: Yes, this powerful, Donald Trump type. I’m very hard-nosed, separated from my wife — we’ve already lost one son to drugs, and I’m estranged from my other son, who’s played by Robert Pattinson. . . . It’s good. He’s very good in it, too. I’m so fond of Rob — this young fellow in the vortex of fame.

Q: You’ve mentioned being impressed by how Rob Pattinson’s handling his fame. But you really had two waves of it, first with “Remington Steele” and then with the Bond films. Were the experiences very different, coming a decade or so apart?
A: “Remington,” that was just the golden opportunity to create a career and an American life. And it wouldn’t have happened if I hadn’t taken the leap and mortgaged my house for 2,000 pounds and caught a cheap flight out on Freddie Laker. That was the start. And Bond, Bond always came in and out of my life with drama.

Remember Me," Robert Pattinson's attempt to branch out from his trademark lovelorn-vampire role (to a lovelorn regular-guy role), was only a modest performer at the box office this weekend, earning $8.3 million. But the film offers several notable attributes; in addition to Pattinson's first turn as a leading man in a mainstream release not titled "Twilight," it's a mid-budget drama in a time when such films are an endangered breed. And it came from Summit, a company that has flirted with a number of genres, but never this one.

Just before the film opened this weekend, we caught up with producer Nick Osborne of Underground Management, who with partner Trevor Engelson produced the film, on the challenges of making this type of movie, the acting virtues of one Mr. Pattinson and the perils of shooting in a big city when you've got one of the most famous faces in the world on your set.

24 Frames: A lot of people look at this film and say "Rob Pattinson, Summit, of course it got made." But you toiled for a long time to get it off the ground.
Nick Osborne: It's not an easy movie to get going -- it's a dark love story set in New York, and we kept trying to get it set up at studios and no one was interested. Eventually it got to Allen [Coulter, the director], and he had interest, but we still had trouble finding an actor. There are simply very few actors in that age range who could pull a role like this off. And I was on IMDB Pro one day and put in "male stars 18-27," and he literally came up as No. 2. And we called Summit and they said, "Actually, we really like the kid, we're doing a movie with him."

So this was before the 'Twilight' phenomenon took hold?
NO: It was right around the time of Comic-Con, when they started to realize how big a movie they had on their hands. But we needed to get Rob interested too. He had read a lot of scripts. He was at the Oakwood Apartments and he would drive to the In-N-Out Burger every day and read scripts in the back of his car. And he eventually read ours and said he wanted to do it. Then we had to put together a budget that made sense [about $16 million] before we could get going.

You were able to keep the budget manageable because of the tax credits you received for shooting in New York. But from reading some of the accounts it sounds like the city posed some other issues given a star of Pattinson's popularity.
NO: It was a crazy shoot in many ways. There was fan interest and paparazzi in every outdoor location, especially places with young people and tourists like Central Park and Washington Square Park. We were a small movie so it caused us some problems. The more seasoned paparazzi know in New York [because of the local laws] they can get close to the star and you can't do anything about it. It's almost like a constant negotiation -- "If we give you this will you move back?" It was kind of insane. We had crew members who worked for 30 years who said they had never seen that amount of crazy. And there are Rob and Emilie [de Ravin] trying to do this intimate, dramatic scene.

Did it finally calm down?
NO: It was definitely a relief when we went to the stage the last two weeks. We shot in east Brooklyn. But even outside of Manhattan it could be tough. There was a beach scene where Rob and Emilie kiss, and as we're shooting it we see this paparazzi suddenly coming out of the water. He had swam around for hours with the camera over his head to get a shot.

What? Like some kind of paparazzi mermaid?
NO: It was pretty incredible. But then he got his shot and he made a lot of money off it, so I guess it was worth it.

Do you think the fan frenzy ever gets to Pattinson?
NO: I have a great respect for him. The attention he's gotten over "Twilight" is incredible and he handles it with such grace. I've never seen him in a bad mood about it. The paparazzi do get to him a little, I think, going back to Britain has been a lot easier for him. He told me a story the other day that he was in a pub and after two hours of sitting there the bartender said, "You know, you look just like the kid from 'Twilight.' '' And then the bartender said, "Oh my God, you are that kid."' And then they kind of walked away. [We] Brits are like that. [We're] more self-effacing. A Brit sees a famous person and he almost crosses the street.

Did you see anything from Emilie or Rob that gives you the sense they have seriously bright acting careers ahead of them?
NO: They both take their craft so seriously. There's a soulfulness to them too. And I think Rob really wants to be a serious actor. The other stuff is just part of the job.

Obviously Pattinson's presence helped push this particular film through some development hoops. Do you think better days lie in store for the genre?
NO: Straight-up dramas are tough. You still hear from studios they don't want to do it that much. And when they do it's for a reason. "Dear John" is based on the brand of Nicholas Sparks. "Last Song" will be helped by that too. I love dramas. But critics are harsh. It's almost like when you try to do something serious they bring out the guns even more. But these movies will get made. Every market has a vacuum at some point, and then they need to fill it again.

In his new film, the romantic drama “Remember Me,” Robert Pattinson plays Tyler, a rebellious young man in New York City who has had a strained relationship with his father (Pierce Brosnan) ever since tragedy separated their family.

Tyler didn’t think anyone could possibly understand what he was going through until the day he met Ally (Emilie de Ravin) through an unusual twist of fate. Love was the last thing on his mind, but as her spirit unexpectedly heals and inspires him, he begins to fall for her. Through their love, he begins to find happiness and meaning in his life. But soon, hidden secrets are revealed, and the circumstances that brought them together slowly threaten to tear them apart.

“Remember Me” is an unforgettable story about the power of love, the strength of family, and the importance of living passionately and treasuring every day of one’s life. The film also stars Academy Award winner Chris Cooper (“Adaptation”) and Academy Award nominee Lena Olin (“Chocolat”).

Robert Pattinson talked about his role as executive producer on “Remember Me,” what it was like working with Pierce Brosnan, and his upcoming film “Bel Ami” which he is currently shooting in England. Here’s what he had to say:

Q: What was it like to be an executive producer on this?
RP: I’m glad Nick’s (Nick Osborne) not in the room anywhere. I mean, I can’t really claim to be a proper producer. I only really came on towards the end of the movie. I was always completely on the same page with Allen (Coulter) and Nick about how they wanted to make it, and then I just wanted to make sure, as much as I could help, to protect the process. I consulted and I talked to them and stuff but I don’t want to claim any kind of creative input.

Q: Is that something you’re looking to do to control your career down the line?
RP: Yes. I was never there. Allen and Nick were there right at the nexus along with Will (Fetters) and they really championed the whole script the whole time. But yeah, I’d love to do it. I’d love to be involved in the whole process. Inevitably things become out of your hands so that the more input you can have when you can have input, the better.

Q: Did you learn a lot on this by coming in later on?
RP: Definitely, yeah. Also, at the beginning, when we were doing the rewrites of the script, it’s so nice being able to talk to everyone involved. You just don’t get that. Never. So, it was really great.

Q: This is a story about love and loss. Have you ever felt confused or lost in what you want to do in life and your career? Have you ever lost anyone dear to you or a pet?
RP: [Laughs] Yeah, I mean, to an extent. It’s terrible. I keep talking about my dog all the time. It’s an incredible dog, which I said in this interview the other day, like the dog was the most important part of my life. My family went crazy with me for saying that. But, however ridiculous it may seem to some people, it was one of the defining moments of my life. It was the worst day of my life. I mean, the dog died. I’ve lost a lot of family members as well. Strangely, that’s one of the things. At the same time, I’m talking to people, you know, when they’re talking about acting, they’re like “Picture your dog dying if you want to cry.” I would never do that. It cheapens the memory so much. [Laughs] I don’t know if that really answers the question.

Q: Did you always know what you wanted to do?
RP: No, not really. I still don’t. You try to make every little thing, you try to add something to it. I don’t know. I try to do film projects, I try to choose things which I think I can give something more to or help to elevate it to something.

Q: Allen mentioned that you had to act when you’re surrounded by fans. How do you concentrate and focus on your performance?
RP: It is really just like blanking out. At the beginning, I was having loads of problems with it because it was really crazy when we were filming around Washington Square Park. It was just complete mayhem. There was this moment when one of the security guys saw me getting more and more angry with these paparazzi guys and he just said, “Okay, imagine going over and trying to hit someone and missing in front of 40 cameras,” and that was enough to break my whole thing. It didn’t really bother me afterwards. It’s weird. It’s strange. I did a film where I hardly knew anyone on the crew or anything, because I couldn’t get out of my trailer when we were shooting, especially for the first month. I mean, I didn’t know any of them. It was really odd. But, at the same time, it’s quite a good lesson in life – discipline -- because you literally have to do it. At the end of the day, you can’t just say “I’m not doing it until these people go away.” It was way more intense than any of the Twilight films. There’s never even that many people who turn up for that. It was definitely an experience.

Q: Do you think it impacts the performance though? Does it distract you enough to actually detract from your performance?
RP: It makes you a little more self conscious. Yeah, I think there are some bits. If you wanted to really, you know, you can’t experiment with things. In the rehearsal period, you’ve got these people videoing it and so you can’t do silly things to get yourself comfortable. So, it did in a way. I’m doing a thing now where there’s no one around and I feel a million times more comfortable, so it must have had some effect. But, at the same time, there are certain qualities about Tyler, like being a little bit clenched and hiding and suppressing a lot of his emotions, so maybe it helped.

Q: What are you doing now where no one’s around? Are you shooting in Siberia?
RP: [Laughs] It’s in England for one thing which is very different to the States. The hysteria around the Twilight stuff, I mean, it’s growing a little bit, but it’s completely different. But, it’s a period thing so we’re in all these stately homes in the middle of nowhere and people just can’t find the places. Half the crew can’t find the places.

Q: What is the title?
RP: It’s called “Bel Ami.”

Q: How is it playing an American and adopting an American accent and behaviors?
RP: It is really odd how that’s happened. But then again, in the last 5 years, in L.A. you see every single actor who’s going to auditions and stuff, everybody’s Australian or English or something, everyone. I mean, in the last 5 years, I used to be like that. I mean, a guy from England, and you could really use it to your advantage as well. You can’t use it anymore. It’s more of an advantage being an American. [Laughs] But yeah, it’s odd. I grew up watching tons of American films. That’s kind of why I wanted to be an actor from watching Americans. No one’s really influenced me as much, who’s English or from some part of Britain, as American actors [have]. In other words, I feel more comfortable speaking an American accent in films. I think it feels more of a film to me. I feel like I’m kind of pretending when I’m using my own accent.

Q: What was it like working with Pierce Brosnan? You had to keep that tension on the screen. Did that bleed over?
RP: Yeah, I mean, no, we weren’t…there was no tension at all. He’s like the nicest guy. He’s really nice. I had no idea what to expect from him at all. He’s incredibly hard working. There’s not a hint of pretense or anything about him. And also, if I wanted to go rehearse or I wanted to talk about something with Allen, he’d always be willing to come across. He’d cancel things to go and talk about it. Considering we didn’t have that many scenes together as well, he would always come and I’d want to talk about it all the time. So yeah, he was great in that respect.

Q: Did he give you any advice on how to handle being a celebrity?
RP: He did one thing the first night I went out to dinner with him, just before we started shooting. We were in this place. It was an old-fashioned type of French restaurant with all these banker-looking guys. They didn’t recognize me but they recognized him obviously. He’s probably their idol in a lot of ways. He noticed these people looking over and I’m sitting there and getting more and more self-conscious. I need to leave. You know, I didn’t even realize they weren’t looking at me. And he goes up to them and introduces himself to everybody in the restaurant. At first, I was saying “What are you doing? You’re completely insane.” But it worked so well and he talked to them for a minute, and people do not look around afterwards and you can tell they’re going to go home and say “That was such a nice guy.” And there’s nothing weird about it, being in the restaurant with him afterwards. You’re no longer a kind of freak. But he’s got phenomenal confidence and so he can do that type of stuff. If I went up, it would look like I was trying to start a fire or something. [Laughs] “Hey, how ya doin’, huh?” I mean, it would look really stupid.

Q: Do you ask advice from people who have been where you are now? Are there tricks for dealing with all of this?
RP: I think it’s all really simple. From what I’ve seen, you look at how people are judged in the public arena. I think the majority of people who get beaten by it are just the people who are seen all the time, and so the less you’re seen, then you’re alright. As long as you keep attempting to make quality films, then eventually your name stands for something other than just meaningless celebrity. It’s a kind of difficult battle. You’ve got to make the work mean more than your celebrity. I think people like Johnny Depp have done that. He’s not judged at all for his public image. It’s just his work that’s judged. It’s a really, really difficult thing. It’s a lot of discipline and a lot of hiding which you have to get used to.

Q: I liked the relationship between your character and his little sister. How did you develop such a nice chemistry?
RP: I don’t know. She was just really cool. I always liked the idea of having a younger sibling. My family tricked me about 5 years ago that my mom was pregnant and I didn’t realize it was April Fools’ Day. They spent the entire day saying I was going to have a little brother, which I told all my friends it was the best day of my entire life. [Laughs] I carried on for 3 days believing it. It’s weird because now, after working with Ruby (Jerins), I liked it a lot. Whenever I see a part now, like a younger brother or I’m looking at parts where I’ve got a kid, I just love the idea of it. I’m getting like broody. [Laughs] It’s weird. It’s so bizarre. She was great to work with. She’s an amazing actress and a really interesting girl. She was really fantastic.

Q: This took place around September 11th, 2001. Do you remember what you were doing then?
RP: Yeah, I was still at school. I was doing my mock exams and my teacher came in and said “You need to stop doing what you’re doing and everyone needs to go watch.” And the whole school was brought down to watch the television. They were saying your entire generation’s lives are going to be completely different from this point on. And I guess it has been as well and I think will be for maybe the generation after us as well. I mean, it ended up being a massive event in my life.

Q: Was bicycling in Manhattan a fun experience?
RP: Yeah. It was fun. That bike broke every single time I was riding it so I have no idea. It was sort of cheap and I hadn’t ridden a bike for like 5 years before that as well, so I couldn’t really remember how to do it. That was the other thing as well about shooting. That was the one scene where they didn’t have any crowds around. It’s funny. I realize there are ways to sneakily start filming when no one can be around and I wished we’d figured that out in the beginning, because we’d done all the permits and false names and all these things which I shouldn’t probably say. But yeah, it was fun doing it.

Q: What was your favorite scene in this film?
RP: I think the scene where I confront Caroline’s Billy. That was the most fun to do. I mean, a lot of the scenes with Caroline. I really liked working with her, mainly because you don’t have to do anything. You could just look at her. It’s one of the only times I haven’t been self-conscious at all when I’ve been filming. It’s just so easy to do things with her. Whatever she did, I could completely go off of that. She was always leading the scene, so yeah, probably the scenes with her.

Q: Are you looking forward to pursuing music more?
RP: Yeah, I want to do it at the end of the year. All my friends are recording albums now so I’m very annoyed about it. But I can’t do the two things at the same time. I don’t know how people do it. All these people like Jennifer Lopez and they do everything all at once. My mind is in a completely differently place. I don’t even listen to music when I’m working.

Q: Do you have a company or are you thinking of establishing a company because it seems like you can do whatever movie you want?
RP: I want to. Yeah. I want to start a thing which encompasses music and writing as well. But, it’s just time. I don’t think I’ve established myself enough in film and definitely not in music. I haven’t done anything in music. I think you need to have a lot of good will towards you to be able to get one really going. You look at George Clooney’s company. They make great movies which wouldn’t be made otherwise. And Leonardo DiCaprio’s company as well. He’s got great people working there. They all have really good taste and they’ve made a lot of people a lot of money. I think it takes time. I want everything all at once and it’s difficult to think like that, so I’m trying to slow down a little bit.

Q: Are you filming your new movie right now?
RP: Yeah, I’ve done two weeks and I go back on Thursday. That’s why I’m kind of spaced out. [Laughs]

"I don’t know why I didn’t see it coming,” Robert Pattinson says with a small smile. “I thought I’d be doing this tiny little film in New York, just hang out in New York.”

It didn’t quite work out that way.

Pattinson made the “tiny little film,” all right — a perfectly right-sized indie called “Remember Me” that opened Friday, with Pattinson and Emilie de Ravin as college lovers and Pierce Brosnan and Chris Cooper as the fathers who inevitably complicate things.

It was the filming itself that was over the top.

“It was nightmarish,” says director Allen Coulter, who handled the on-location shoot. “How he managed it, I don’t know. The paparazzi and the hordes of females?”

At one point in the movie, Pattinson’s character — a Holden Caulfield-ish rich kid named Tyler — has a chat with his tween sister in a city park. Coulter says hundreds of screaming fans showed up, hoping for a glimpse of the “Twilight” phenomenon.

“Just bedlam,” the filmmaker says. “But I thought he handled it very well. He thought about nothing but the film. He’s quite an actor.”

Co-star Brosnan — who wryly allows that “I’ve had my own fair share of admirers, long may it last” — says he was impressed by how Pattinson has been handling the “vortex of fame.”

“As a man of certain years and time in this business, and having sons, I want the best for this young man in every possible way,” he says. “And I think he’s acquitting himself grandly. I think he’s got a head on his shoulders.”

“Pierce was very mentoring on the set,” Coulter says. “He felt very paternal, certainly.”

The younger star’s appearances in public require a certain amount of forethought, subterfuge, quick thinking and stolid security. (During this interview, a very large and unsmiling man stood outside the door to his suite). The details of his private life — which he works hard to keep private — are the subject of rumor, analysis and outright fiction.

Case in point: his “Twilight” co-star Kristen Stewart. Since that movie series began, fans — and celebrity muckrakers — have tried to link them. First, the young stars denied a romance. Then they simply said nothing. Finally, haltingly, the actor confirmed to a British paper, “We are together, yes.”

But the two young stars still play it carefully, avoiding being photographed together, entering parties separately. “If there’s a photo, they’ll write a story about it,” a wised-up Pattinson observes. “If there’s not a photo, no one seems to care.”

Pattinson — who is rather shy and stammering in real life — doesn’t want to say anything more about it now; at a round-table interview late in the day, just an allusion to “your girlfriend” makes him laugh a little uncomfortably and roll his eyes before carefully saying nothing.

You can’t blame him. Any quote he gives is analyzed like some utterance from the Oracle of Delphi — or the Federal Reserve. When Details magazine recently put him in a Helmut Newton-ish photo shoot full of naked women, he joked that he was “allergic to vaginas.” The net erupted in a flurry of snarky posts and head-shaking questions: Was Rob Pattinson really gay?

“People take everything so literally,” he says now, running a hand through his eternally tousled hair.

It is all a little silly. But it also explains why, over a long day of press conferences, round-table interviews and private chats, the actor — who describes himself as “sort of uncynical and innocent” about love — is reluctant to give away too much about his private life.

“When the spotlight seems to be quite centered on you, the best thing I think anyway is to stay as much of a mystery as you can,” he says. “Don’t try to label yourself, don’t put yourself out there, because that only creates stories. . . . I don’t think your public persona is in any way helpful to your career.”

So here, with and without his help, are a few answers to the mystery of Robert Pattinson.

The beginnings
He was born in London in 1986; his mother worked for a modeling agency and his father was an upscale car dealer. He had two older sisters, who liked to dress him up as a girl (here comes another round of gossip), and attended a school he didn’t care for. He loved music — particularly guitar and piano — and by 12 had begun to do some modeling.

Acting, though, still wasn’t quite on his radar.

“I’ve always really, really, really, really liked film,” he says (and proves it, later on, by casually referencing classic Jack Nicholson performances and obscure Godard works). “I always watched a ridiculous amount of movies, and was quite educated about them from a very young age, but I never put it together about wanting to become involved with it.”

Then he joined an amateur drama club “as kind of a lark.” That he was good at it — that he enjoyed it — surprised him. (“I don’t like showing off — I don’t even like performing that much.”) But he started getting some parts on British television. And then came the role as the tragic Cedric Diggory in “Harry Potter and the Goblet of Fire.”

The Potter films were, of course, their own phenomenon. Yet Pattinson felt a little apart from it.

“The Potter films are shot at this random studio out in the middle of nowhere, so no one is waiting outside the gates for a glimpse, ever,” he says. “There’s nothing around. And I was still this complete enigma. I could kind of do what I wanted, and I could for ages. . . . I went to see Daniel (Radcliffe) do ‘Equus’ in London and no one even noticed me.”

Then Pattinson got the “Twilight” job. He knew the books were popular; he didn’t know what to expect from the movie. He got an apartment in Los Angeles and, after the shoot was finished, went back to looking for the next gig.

“Every single day, I’d go to a convenience store and get a bagel and a Snapple and read scripts,” he says. “And then, all of a sudden, I’m there on the cover of Entertainment Weekly. Okay. And then the next day I went out to get breakfast and everyone was staring. And then a month later, there was the first Comic-Con and everything exploded. People were just screaming. Screaming.”

The almost orgasmic reactions shocked Pattinson because “the books are really so much about chastity. But people sexualize it in their heads. It’s so odd, and so funny. The fan fiction that people write and post — all of it ends up with Edward and Bella in bed. Or Edward and Jacob. Or everybody! It sort of ignores the whole point.”

But then, he admits with a laugh, “I think I’ve got a problem with reading scripts. I always seem to take the opposite meaning. Almost every job I’ve ever done — I don’t know why this is — but I talk to people after I’ve read the script and they say, ‘You’re seeing this the wrong way entirely.’ I disagree with almost everyone about absolutely everything.”

But the people who know Pattinson — from studio employees to co-stars — agree on one thing: He’s a sweet, unaffected young man. The moody Edward of the “Twilight” saga, the impulsive, raging Tyler of “Remember Me” — they’re only proof of what a good actor he is.

Real acting chops
Brosnan talks admiringly about his “grace under pressure.” Coulter notes that although Pattinson had signed for his small drama before the fame of “Twilight” really “went haywire,” afterward he remained committed. He didn’t try to renegotiate the deal. He didn’t beg to back out so he could take on a bigger-budgeted, better-paying job.

“On the contrary, he really wanted to do it because he knew it was an opportunity to prove he wasn’t just this flash-in-the-pan guy from ‘Twilight,’” the director says. “And he does prove it ... He’s not extremely experienced, and he’d be the first to say that. But he’s very smart and very dedicated and very, very hard on himself. Not on others — he’s generous and complimentary about everyone else. But he’s not generous with himself. And that’s actually a pretty endearing trait.”

Pattinson says he just appreciates the chance to prove he can be more than a glittering vampire.

“I was reading tons and tons of scripts and thinking about what to do after ‘Twilight,’ and there were so few that didn’t follow the same pattern,” he says. “Young guys, completely innocent virgins who learn the way of the world — every single story followed the same pattern, and (‘Remember Me’) didn’t really at all. It didn’t feel like it started at the beginning and ended at the end. It felt like it sort of started with chapter nine and ended seven chapters before you expected it to.”

Pattinson knows that people will attach outsized expectations to the movie just because of his participation. (“If it doesn’t make any money, what is he? What is his worth to the world?”) But he’s trying to ignore them. He’s already working on his next project, a new version of de Maupassant’s “Bel Ami,” playing a heartless seducer. And there is the third “Twilight” picture, “Eclipse,” scheduled for June — and, eventually, the series’ finale, “Breaking Dawn.”

After that? He shrugs and laughs.

“I don’t really know,” he says. “I hardly like any (scripts) I see. I’m sure it will end up looking quite random when you see what my next jobs are.”

Besides, right now, his main job is just trying to have a normal life.

He is not complaining, not really. And even if he’s sick of the paparazzi, he is certainly not whining about his fans, the “Twihards” who stand screaming outside premieres or shakily hand him photos to sign.

“People coming up to you in the street is nice,” he insists. “It’s just when people know they can make money off your life, that’s when it becomes difficult — because they’re relentless.”

So he has strategies.

“It’s a bit of a hassle, but if you make sure you don’t go where the crowds will be, if no one finds out where you’re staying or having dinner, then it’s fine,” he says. “People say I should just accept it, don’t let it rule my life, but having photographers surrounding me when I’m trying to have dinner? That’s not life for me at all. If you can avoid that — which is possible, most of the time — then it’s not crazy every single day.

“And then when it isn’t,” he adds with a grin, “then you can actually enjoy the kind of hysterical parts.”

Outstanding Film-Limited Release: Little Ashes (Regent Releasing)

I: Com’è stato, rispetto ai baci con Pattinson? (Asking her the difference of kissing Dakota and Rob)
K: "What can I say? Rob has a bigger mouth?"

I:"Last question: Do you want to clear up your relationship with Robert Pattinson?"
K: "No, I don't. I just can say that with Twilight we all have become really close and what people say about us ends up debasing our relationships"

I: "So are you telling me you are just good friends?"
R: "No, that's not what I said"