Welcome to The Pattinson Vault, your fansite dedicated to the talented british actor Robert Pattinson. You might recognize Robert for his roles in "Harry Potter and The Goblet of Fire", the "Twilight" saga, "Remember Me", "The Lighthouse" and "Tenet". With upcoming projects including Matt Reeves' "The Batman", we aim to bring you the latest news & images of Robert, and strive to remain 100% gossip-and-paparazzi-free. Make sure to bookmark us, and check back!
Robert Pattinson and Matt Reeves Confirm Exclusive New Details About “The Batman”

“The Batman” is on the cover of the 5th issue of Den of Geek, in which not only do we learn new details from the upcoming DC movie but also about which villains Robert would like to see his Batman taking on next. This is the first part of two posts, this one being more centered on new details on the movie, posted by the publication. You can read the article below or in our press archive, as well as find scans from the issue in our gallery.


You know the scene: the Batman stands before a gang of skull-faced goons who think this weirdo in a costume is a joke. “Who the hell are you supposed to be?” asks their leader, who’s about to find out, one punch at a time, that Robert Pattinson’s unhinged, hyper-violent Dark Knight is no laughing matter.

“How it was initially staged was the guy says, ‘Who are you?’ And Batman says, ‘I’m vengeance,’ and then beats everybody up,” reveals a much friendlier Pattinson, who cracks up while explaining how he helped tweak the scene to make it even more horrifying. “I said to Rob [Alonzo, second unit director and supervising stunt coordinator], ‘I really want to say it into the guy’s face when he’s basically dead.’”

Savage beatings are one way this Batman wants to “spread around [his] mythology,” Pattinson tells Den of Geek by phone on a cold, gloomy day in January. “It’s not theatrical,” he says of the Dark Knight’s approach in the “vengeance” scene. “You just want someone to be terrified after it.”

Before Pattinson signed on to play the World’s Greatest Detective, Ben Affleck was set to direct and star in a very different Batman solo movie. But those plans didn’t pan out. Cloverfield and Planet of the Apes director Matt Reeves was tapped to helm a new version of the project, but he faced the same conundrum as his predecessor: after so many iterations of the character on the big screen, what could Reeves do to make his take fresh?

Reeves, a lifelong Batman fan, found the answer in comics chronicling the character’s early days, including Year One, as well as in classic noir films, such as ChinatownTaxi Driver, and The French Connection. The director envisioned The Batman as a noir detective story set outside of DCEU continuity, and it wouldn’t star Affleck’s seasoned, graying Dark Knight but a vigilante entering the second year of his crime-fighting career, someone who was past his origin story but still in the process of figuring things out.

“I didn’t want the arc to be ‘he becomes Batman and faces off with this particular rogues gallery character,’” Reeves explains. “I wanted you to see an imperfect Batman who would be driven to do what he’s doing in a way that was almost like a drug. He’s addicted to being Batman because it’s really an attempt to cope with those things in the past that we don’t see. I thought that was really fun to see a version of him that definitely hadn’t mastered himself, that was definitely in the process of becoming.”

To prepare for the role, Pattinson read nothing but Batman comics for months, even while shooting Christopher Nolan’s Tenet. A fan of Christian Bale and Michael Keaton’s portrayals of the character, Pattinson nevertheless planned to explore something new with his version. He found his way in through stories that took deep dives into the psychology of Bruce Wayne and the toll that being Batman had on his mental state.

“In the movies, Batman’s always been portrayed as quite practical, matter-of-fact, in the reasons why he becomes Batman, but in the comics, a lot of them are about quite esoteric subjects,” Pattinson says. “A lot of them he’s hallucinating and completely dissociating. That has not really been done so much in the movies.”

Gus Van Sant’s Last Days was one major inspiration for this take on Bruce Wayne, with Reeves comparing that movie’s fictionalized version of tragic ‘90s rock star Kurt Cobain to his Dark Knight. But there was an even bigger comic book influence: the late Darwyn Cooke’s trippy, supernatural Ego, which examines the deep divide within Bruce and the crisis of identity he constantly faces because of his Batman persona. In The Batman, Bruce has yet to learn how to balance his true self with the mask he’s supposed to wear as a billionaire playboy.

“The Bruce part of it in this movie is probably the most different because he’s a weirdo as Bruce and as Batman,” says Pattinson, who plays Wayne as a cold, slightly unkempt, recluse. “He’s fully committed to being Batman and he’s just not seen by the city at all… He has no desire to be Bruce in this and he wants to just throw it away. He thinks this is the way he can save himself, by living in this kind of Zen state as Batman, where it’s just pure instinct and no emotional baggage.”

“Every single person he is fighting is the person who killed his parents,” Pattinson says of the motivation behind Bruce’s nightly activities. But he also thinks there’s a part of Bruce that just enjoys the violence. “You’re going out every night fighting. You have to like it to some degree.”

Pattinson’s Batman is indeed a brawler, and that meant the actor not only had to get into incredible shape but learn how to actually pull off the brutal moves the Dark Knight employs in the film. He spent a lot of time working with Alonzo to master the long series of combinations needed for the movie’s many combat sequences.

“We based everything around [an] Indonesian style of fighting where you have these two sticks, and it all was based around movements with weapons, and then you take away the weapons afterward,” Pattinson says.

But to actually perform these stunts, Pattinson needed a costume that offered more maneuverability and flexibility than past iterations of the Batsuit, such as the nightmarish, “boiling hot” Batman Forever costume he had to wear for his screen test. The Batman suit is a big improvement by comparison, according to the actor.

“I think I immediately started doing somersaults in it just because you could,” Pattinson says of the first time he put on a prototype of his costume. The actor was especially happy that he could move his neck in the suit, an issue that has plagued past actors in the role.